Early contemporary art in Vietnam: Đổi Mới shift as spur of innovation in globalizing 1990s-Hanoi
| Dublin Core | PKP Metadata Items | Metadata for this Document | |
| 1. | Title | Title of document | Early contemporary art in Vietnam: Đổi Mới shift as spur of innovation in globalizing 1990s-Hanoi |
| 2. | Creator | Author's name, affiliation, country | Iola Lenzi; Nanyang Technological University; Singapore |
| 3. | Subject | Discipline(s) | |
| 3. | Subject | Keyword(s) | Vietnam; globalization; Vietnamese and Southeast Asian art; avant-garde; Đổi Mới; urbanization |
| 4. | Description | Abstract | The social impacts of 1986 Đổi Mới economic reform in Vietnam are well-studied. However, connections between Đổi Mới change and 1990s artistic transformation are not. This study examines these ties to reveal how post-Đổi Mới, outside Vietnamese mainstream art, and in not yet globally-open Hanoi, vanguard expressions emerged. Using artwork analysis and cross-disciplinary literature, this paper spotlights how material and social landscapes of 1990s-Hanoi impacted art. It uncovers parallels with Southeast Asian contemporary art to conclude that Hanoi vanguard practices constituted early Vietnamese contemporary art expanding regional 20th century art history without obligatory recourse to outside models. |
| 5. | Publisher | Organizing agency, location | Institute of China and Contemporary Asia of the RAS |
| 6. | Contributor | Sponsor(s) |
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| 7. | Date | (DD-MM-YYYY) | 15.01.2022 |
| 8. | Type | Status & genre | Peer-reviewed Article |
| 8. | Type | Type | Research Article |
| 9. | Format | File format | XML(Rus), PDF (Eng), |
| 10. | Identifier | Uniform Resource Identifier | https://vietnamjournal.ru/2618-9453/article/view/105389 |
| 10. | Identifier | Digital Object Identifier (DOI) | 10.54631/VS.2022.61-105389 |
| 11. | Source | Title; vol., no. (year) | The Russian Journal of Vietnamese Studies; Vol 6, No 1 (2022) |
| 12. | Language | English=en | ru |
| 13. | Relation | Supp. Files |
Fig. 1. Vũ Dân Tân. Suitcases of a Pilgrim. 1996. Mixed media with text, part of a series. Photo: JL Morisot (3MB) Fig. 2. Trương Tân. Nappes. 1995 Acrylic paint on cloth, part of a series. Photo: Iola Lenzi (11MB) Fig. 3. Nguyễn Văn Cường. Porcelain Diary. Mixed dates, 1999, 2000, 2001. Polychrome hand-painted porcelain vases, part of series, approximately 80 pieces, 1999–2001. Photo: Iola Lenzi (1MB) Fig. 4. Vũ Dân Tân. Cadillac/Icarus Installation 1999 Oakland, California, Pacific Bridge Residency; performance Hanoi streets, 2000. Photo: Natalia Kraevskaia (3MB) Fig. 5. Nguyễn Văn Cường. Artist painting a mural at House of World Cultures, Berlin, 1999. Photo: Natalia Kraevskaia (2MB) |
| 14. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) | |
| 15. | Rights | Copyright and permissions |
Copyright (c) 2022 Lenzi I. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. |