The Russian Journal of Vietnamese StudiesThe Russian Journal of Vietnamese StudiesВьетнамские исследования2618-9453Institute of China and Contemporary Asia of the RAS10538910.54631/VS.2022.61-105389Scientific researchesНаучные исследованияResearch ArticleEarly contemporary art in Vietnam: Đổi Mới shift as spur of innovation in globalizing 1990s-HanoiПервые шаги авангардного искусства в Ханое 1990-х и реформы Дой Мойhttps://orcid.org/0000-0002-0953-010XLenziIolaЛенциЙола
Singapore

Ph.D. (Art History), Lecturer, School of Humanities

канд. искусствоведения, преподаватель, Школа гуманитарных наук

iolalenzi7@gmail.comNanyang Technological UniversityНаньянский технологический университет150120226173852603202226032022Copyright ©; 2022, Lenzi I.Copyright ©; 2022, Ленци Й.2022Lenzi I.Ленци Й.https://creativecommons.org/licenses/by-nc-nd/4.0https://vietnamjournal.ru/2618-9453/article/view/105389

The social impacts of 1986 Đổi Mới economic reform in Vietnam are well-studied. However, connections between Đổi Mới change and 1990s artistic transformation are not. This study examines these ties to reveal how post-Đổi Mới, outside Vietnamese mainstream art, and in not yet globally-open Hanoi, vanguard expressions emerged. Using artwork analysis and cross-disciplinary literature, this paper spotlights how material and social landscapes of 1990s-Hanoi impacted art. It uncovers parallels with Southeast Asian contemporary art to conclude that Hanoi vanguard practices constituted early Vietnamese contemporary art expanding regional 20th century art history without obligatory recourse to outside models.

Социальные последствия вьетнамских экономических реформ Дой мой (Обновление), объявленных в 1986 г., детально изучены. Однако этого нельзя сказать о влиянии изменений, вызванных этими реформами, на художественную жизнь 1990-х годов. В данной работе предпринята попытка показать первые шаги вьетнамского авангарда, порвавшего с господствующим в стране художественным направлением. Задача статьи с помощью художественного и источниковедческого анализа выявить влияние на развитие искусства экономической и социальной жизни Ханоя 1990-х, а также проследить параллели с современным искусством Юго-Восточной Азии. Вьетнамский авангард открыл новый вектор развития искусства в стране, который, будучи абсолютно самобытным художественным явлением, обогатил искусство XX в.

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